"The Great King, Sejong" is a full-scale political drama describing how King Sejong and his loyal retainers cooperate and contrive to make his dynasty a better place. While King Sejong was on the throne, the Joseon Dynasty enjoyed increasing prosperity. The drama shows the dramatic processes of how so many new cultural heritages have been devised. At that time, "Hangul", the native phonemic alphabet system for Korean language was first invented and introduced. Before it was made, Chinese characters had been used for a written communication, which makes it extremely difficult for ordinary people to learn and use. "Hangul" is easy to learn for its simple and scientific principles. Other than "Hangul" itself, there had been so many cultural heritages during his regime including a rain gauge, a sundial, an hourglass to name a few. Also, King Sejong’s pragmatic diplomacy is concentrated in the drama. Then, the Joseon Dynasty was facing a powerful Ming dynasty of China, and King Sejong demonstrates the essence of pragmatism with dignity.

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When Nobita goes diving with Doraemon, a mermaid named Sophia comes close to him and they all befriend her. When they proceed towards her kingdom, they encounter a fight between two opposing tribes.

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A sweeping historical epic set in the late Three Kingdoms era, following Silla’s fierce battles against Goguryeo, Baekje, and Tang as its kings and generals fight to achieve the unification of the Korean Peninsula.

A sweeping historical epic set in the late Three Kingdoms era, following Silla’s fierce battles against Goguryeo, Baekje, and Tang as its kings and generals fight to achieve the unification of the Korean Peninsula.

Based on the Depression-era bildungsroman memoir of writer A. E. Hotchner, the film follows the story of a boy struggling to survive on his own in a hotel in St. Louis after his mother is committed to a sanatorium with tuberculosis. His father, a German immigrant and traveling salesman working for the Hamilton Watch Company, is off on long trips from which the boy cannot be certain he will return.

A story about the choices of people who either believe money is everything or believe that it’s not.

In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.